So. You've got the leading video automation platform on your side. But what stories are you going to tell? Dip into our community blog for ideas, inspiration and plenty of handy how-tos.

February 9, 2021
February 9, 2021
Increasing the accessibility of your video content is essentially a matter of catering to more people.
– No less than 20% of all people have some form of disability, so if you adapt your content, more people will be able to access your information, says Mikael Hellman, visual communicator at the city of Malmö in Sweden.
Since last autumn, it's now a legal requirement for all companies within the public sector in the EU to include subtitles and audio descriptions in their videos. Still, all companies can benefit from increasing the accessibility of their video content.
The question is, does that require a lot of extra work and resources? Just the thought of including subtitles and audio descriptions in all videos is enough to freak anyone out. But don't fret. Here are five great tips about how you can do it without breaking a sweat.
Most people watch videos on mute on social channels. This has naturally evolved into most videos being subtitled for social platforms. Having a good manuscript has therefore become the very foundation of any successful video. We at Storykit recommend that you write the manuscript first. Why not create a first version of the video, using only a white font against a black background? If that works on its own, you can then improve it with the imagery of your choice.
This method makes it a lot easier to create highly accessible video content. Your text/subtitles are already sorted, and in order to create the audio description, you only need the manuscript to be read out loud. If you are using Storykit our automated voice-over function takes care of this in a few seconds!
– There are certainly many occasions when a voice-over doesn't suffice as a complete audio description. But regarding the type of video content that is currently dominating our social channels – mainly scripted videos created for viewers that watch without sound – this function is going to be very helpful, says Fredrik Strömberg, VP Product at Storykit.
Read all about the automated voice-over in Storykit here.
Larger fonts make it easier for the viewer. The larger, the better. When you work with script-driven videos it's essential to write text that's easy for everyone to read. By using fewer words per slide, you make it more accessible.
As you scale down the number of words you use, you can also be more discerning in terms of what information you want to include. An example: If you have a quote, you can add a slide with the following text: "The Mayor of London explains".
It's important to choose colors that don't blend in with the text. You're best off using a background plate to make sure that the text really stands out in many instances. Remember to use contrasting colors on the background plate and the text. White text on a yellow background is, for example, not advisable.
All Storykit slide templates have been designed with contrasting colours, as they were created with high accessibility in mind. The user can also adjust the colours to increase the contrast. Since we always keep accessibility in mind, it's harder to "go wrong" in Storykit than other tools.
A moving graph can be challenging to understand, as with all other images that are packed with information, so avoid these. Also, keep in mind that graphics can be confusing for people that are colour-blind. A red and a green box may not be enough to illustrate "yes" and "no", but the words "yes" and "no" must also be included.

February 4, 2021
February 4, 2021
Storykit has been one of the market's leading tools for easily scalable, professional video production for almost three years now. Today, over 300 companies and organisations produce their videos with Storykit.
Since last autumn, it is a legal requirement for all videos in the public sector in the EU to have subtitles and audio description. To facilitate this process, Storykit is now introducing automated voice-over.
– We understand that this functionality will make life easier for our users – especially our hundreds of users in the public sector – but making videos accessible to so many as possible should essentially be a priority for all organisations, said Peder Bonnier.
Automated voice-over is an extension of the AI functionality launched by Storykit last autumn, which enables users to produce video at an impressive speed.
– Our vision is to help companies and organisations to tell all their stories with video, and thanks to our AI, we have already solved many common issues. And now we solved another, said Peder Bonnier.
Initially, the voice-over function will be available in Swedish, English, and German, but more languages are coming soon. Fredrik Strömberg, VP Product at Storykit, said:
– It's a smart process in which we take the liberty to lengthen your video slightly if the text is long and requires more time. The voice can also be mixed with background music or other background sounds and be downloaded if required.
With the use of automated voice-over, this task can be performed by anyone.–
– There are certainly many occasions when a voice-over doesn't suffice as a complete audio description. But regarding the type of video content that is currently dominating our social channels – mainly scripted videos created for viewers that watch without sound – this function is going to be very helpful, said Fredrik Strömberg.

September 10, 2020
September 10, 2020
Not long ago, when customers felt the need to express disappointment or negative feedback to a company – they would call or send an email. Today, a brand’s Facebook or Instagram page is the go-to. And when customers turn to social media to vent, hundreds or even thousands might be watching. Social media is thus not only a place for customers to interact with brands they love – it’s a (sometimes unintentional) platform for customer service. Social media is obviously also a fantastic scene to get closer to your target audience.
As a social media communicator, I need to consider and balance both (at times reluctant) aspects. Here’s what I’ve learned:
Often, most human beings just want to be acknowledged. You don't have to take on every discussion, sometimes just telling someone their opinion matter, is enough. No matter the subject.
2. Prejudices are sometimes helpful
The word prejudices here should obviously be taken with a pinch of salt. But when communicating with an audience, I make sure my tone of voice is appropriate with the assumptions I receive by viewing someone’s profile. Their age, experience of social media, the product we sell, etc. Make sure to meet them halfway, in a sense.
Being humorous without being sarcastic online can be a bit tricky. The best way to find your tone of voice is by experimenting. Referring to people by their names and adding emojis or GIFs to your comments are easy ways to connect with your audience. Look for every opportunity to come across as personable, warm, and friendly.
It’s easy to take on a defensive approach when realizing there’s been a mistake. But on social media, evading an error only leads to a dead end. Instead, thank the customer for acknowledging and noticing the issue. A win-win as the customer comes forward as attentive – and yourself as humble.
The way to make your social platform an enjoyable place for your customers is by asking questions and replying as many comments as possible. The goal is to truly encourage a two-way conversation, rather than controlling an interaction in which only your messages comes across.

April 1, 2020
April 1, 2020
To make a video on social media you need a good script – but what is a good script? And how do you write one? Storykit asked a pro to share her best tips.
Want to learn more about scriptwriting? Download our e-book packed with tips and tricks here.
You can always improve your scriptwriting skills – especially by listening to other writers. Storykit talked to Anna Kleinwichs Magnusson, a copywriter who founded Stockholms Skrivbyrå (“writer’s agency”). In the podcast Storykit Talks she describes how she works with video scripts and shares some key insights. Here are her 10 best tips to write better scripts for social video:
If you know Swedish you can listen to the entire interview with Anna Kleinwichs Magnusson on our podcast Storykit Talks, you can find it on Apple, Google, Spotify, or loads of other Podcast platforms.
Or, you can watch it on Youtube here:

March 20, 2020
March 20, 2020
The need for information in a crisis is basically endless. Video is certainly the best medium for delivering that information to your audience. The big question is how you can do that without making any mistakes. Let us help!
We are in the midst of a completely unique situation. As COVID-19 is spreading all over the world, the need for information is growing rapidly. We want to know what to do about our children’s swimming practices, what we can do with the tickets for the concert we were supposed to go to next week, if the local store has changed its opening hours – yes, we have questions regarding pretty much everything.
Communicating with social video is the best thing companies can do right now. We know that video drives engagement and that people really do pay attention to, understand and remember information that has been communicated with video. We also know that social media is where we can reach our target groups, simply because that’s where they spend their time.
So, what do we need to consider when we create videos under these unprecedented circumstances? We have made a list of six fundamental issues to keep in mind.
To know who you are talking to and why is fundamental when it comes to all types of communication. But if you are to inform people about something – especially concerning a situation that people are anxious about and when there is a lot of misinformation going around – you have to be absolutely certain about this. It’s a big difference between sharing new opening hours with your customers and reaching out to as many people as possible with hand-washing instructions.
In general, companies usually have a lot of flexibility in regard to what subjects they can get involved with and talk about; even if it doesn’t concern their core activities, as long as it’s of interest to the audience. But in times of crisis, there must be firm boundaries in place. This is the time to only talk about subjects that are within one’s expertise. Otherwise, it might cause confusion, error and it could even harm people. Let the experts be the experts.
Video is usually a pretty playful format. But not now. On the contrary, it’s more important than ever to be as clear and concise as possible and to do the necessary research. If you have one minute; make sure that you take advantage of every single second. And avoid being too emotional. Although the video format is great for establishing a personal connection with your viewer, it’s hard to remain informative when emotions take hold of us.
In this situation, you can be excessively clear in your videos. You can be clear about what you do know and also about what you don’t know. And make sure to include your sources and make your references clearer and more accessible than ever before. Consider adding a note like “this is official information” or “the advice comes from the Public Health Authority”.
Your audience's reaction can variate. Here's how to handle any negative comments.
When the information is constantly changing, your communication must do so too. This is the time to create new videos continuously and – which is an unusual recommendation in the realm of social media – make sure to delete old videos. Of course, it hurts when you have to remove a video with 100,000 views, but you really must make sure that you are not holding on to videos that provide false, outdated information.
In a crisis, you can ask people to share your video content – more explicitly than you normally would. People are much more inclined to share information that they consider important for others. It’s also very important to share others’ information, especially information outside of your expertise that would be useful for your audience.

March 6, 2020
March 6, 2020
With social media, you can reach the world with your content. But should you? Storykit explores the benefits and challenges of localizing your content on social media.
There are two trends in social media marketing right now. On the one hand, we are moving towards a more global market. On the other, we try to get as close to the recipient as possible.

Sarah Larsson Bernhardt
Head of Social på SKF
Sarah Larsson Bernhardt is Global Head of Social at SKF, one of Sweden’s largest brands in terms of global expansion. You can find the brand in 130 markets around the world. So making localized content is important.
– Although we are a global company based in Sweden, Swedes are very good at English and we exist in markets where English is spoken – it’s not always the case. If we are on social media, and social media is about the relationship between brand and consumer, then we have to communicate in local languages to be credible, she says.
– Language is the obvious part, but the choice of visuals and cultural aspects are also important. There can be different ways of telling things to make it feel natural, Sarah says, and continues:
– In Sweden, we may want to celebrate “The national cinnamon bun-day” in our social media feed. But in Indonesia, there might be other things they want to create content around. Another example is Christmas cards that are snowy in Sweden, but sunny in Brazil.
Traditional tabloid journalism has always been as local as possible, there is a reason why you mostly write about things happening in your hometown. Why isn’t this standard for marketing departments?
– It’s all about resources. Lack of time and competence challenges in the local offices often leads to you doing everything from the head office with English as the company language. But if you have the opportunity to localize, always take it. You get much closer to the audience, says Sarah Larsson Bernhardt.
SKF has solved the challenge of lead times for translations and proofreading, by using Storykit as their tool for video creation. The head office makes a master copy, ensuring that text lengths and graphic profiles are consistent. Local offices then translate the script, change pictures and replace quoted people with a local representative.
– There is an internal pride in making a lot of videos – it engages our followers.
For anyone who does not use Storykit to localize a large amount of video, Sarah Larsson Bernhardt has one golden tip:
– Look at what is most important for you to communicate – at least customize that material.
You can hear the entire interview with Sarah Larsson Bernhardt in the Storykit Talks podcast (it’s in Swedish). Don’t miss her podcast Social by Default, which Sarah co-leads with Deeped Niclas Strandh (also in Swedish).
Or, you can watch the whole episode here:
We’ve teamed up with Daniel Bromberg, paid ads expert at LinkedIn, to give you the ultimate playbook on LinkedIn video ads.
Need videos for social media, sales, HR, or internal communication? With Storykit, any team can create professional videos. These videos can match their brand and work for any platform, format, or language. No editing skills are needed. Whether for LinkedIn, corporate presentations, or global campaigns, Storykit ensures your videos are engaging and optimised for impact.
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Director of Marketing, Listgrove
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